Friday 31 March 2017

Film Review: Trivisa (樹大招風)

Film Review: Trivisa (樹大招風)



Trivisa is a crime film that based on three notorious criminals, Kwai Ping-hung, Yip Kai-foon and Cheung Tze-keung in Hong Kong history, their lives' before the handover of Hong Kong to China in early 1997. 

There are many nostalgic elements in the film. First of all, the story setting of the film already is a kind of nostalgic elements. The time of the story is in 1997, before the handover event. For Hong Kong people, 1997 is a clear line that to classify 'past' and 'now', so when the timeline set before handover, it can recall the memories of Hong Kong about the colonial time.

The three main characters are not just representing the three real notorious criminals, but also about the age they lived in, the good old days of Hong Kong. The great economic achievement and social statues of Hong Kong under the British government ruled.


Before the handover of Hong Kong, the image of mainlanders in Hong Kong people mind had shown in the film. People from different provinces of mainland trying to earn a lot of money through illegal or despicable ways. Also, we can see the Chinese officers are corrupted. People can bribe government officers to solve problems


Before the handover of Hong Kong, the image of mainlanders in Hong Kong people mind had shown in the film. People from different provinces of mainland trying to earn a lot of money through illegal or despicable ways. Also, we can see the Chinese officers are corrupted. People can bribe government officers to solve problems



This film also reflected some social situation of Hong Kong. Kwai, one of the main character, shown the fear about the Chinese government of Hong Kong people. In one of the scenes, Kwai went to the gun shop to buy guns, the gun seller told him that 'You better to do something splendid before the handover, after its happened, you can't even feed yourself, fool!' This is the fear of Hong Kong people view about the handover of Hong Kong to China, the different systems and styles rules of Chinese government would totally change the society that people were used to live in.
 

Yip, the other main character, representing the Hong Kong businessmen went back to mainland and started their business in mainland in 80s and 90s. In the movie, Yip needed to face a complete different government system in China, businessmen needed to bribe the government officers by gifts and money to make their business go earlier, every problems could be solved if you were able to bribe the relevant government officers. Yip felt hard to adopt and exhausted when he deal with those Chinese officers.


In the past, the mainland people came to Hong Kong look for opportunities to earn money, HongKongers through that they were more superior than mainlanders. But the position had changed, now the Hong Kong people went back to mainland to look for opportunities. Now the mainlanders looked themselves more superior than HongKongers and tried to suppress the Hong Kong people like they done before. For Yip, he could not accept that he was now at a inferior position, so when the policeman called him 'Da Lu Li', he went mad and picked up his gun.


Are you also feel difficult to adopt those changes of Hong Kong like the characters in the film?


Reference

Chandler, D 1997, An introduction to genre theory, ResearchGate. Available from: http://www.aber.ac.uk/media/Documents/intgenre/chandler_genre_theory.pdf. [30 March 2017].

Ndiuao Gvhs 2017, 樹大招風 2017 - 动作片 - 電影 線上 看, online video, Feb 3, viewed 31 March 2017, https://www.youtube.com/watch?v=bQ2aZaYdB2I

蒼山風 2016, 樹大招風:三大賊王「眾志」不成 今天的墓誌銘?, blog, Apr 12, viewed 31 March 2017, https://www.thestandnews.com/art/%E6%A8%B9%E5%A4%A7%E6%8B%9B%E9%A2%A8-%E5%BD%B1%E8%A9%95-%E4%B8%89%E5%A4%A7%E8%B3%8A%E7%8E%8B-%E7%9C%BE%E5%BF%97-%E4%B8%8D%E6%88%90-%E4%BB%8A%E5%A4%A9%E7%9A%84%E5%A2%93%E8%AA%8C%E9%8A%98/






1 comment:

  1. Dear Wai-wang, The article provides a nice angle for reviewing the selected films. A couple of observations about how the 'old' Hong Kong is represented in the film could be found. Though more substantial evidence is required, some details are offered, making the arguments reasonable. A last remark is whether the film can be described as 'nostalgic'. You can make reference to the lecture on nostalgic films and see which 'sub-category' of nostalgic film 'Trivisa' belongs to. (Frankie)

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